Thursday, 30 August 2018

Nick Tsagaris - A Household Pet Becoming Our Next Pest Is 'Just A Matter Of Time'

Across Australia, legal and illegal pet owners are housing exotic animals like ferrets, venomous pit vipers, Indian ringneck parrots, and Burmese pythons.
While many animals bound for the illegal trade are stopped at our borders, there's no reliable data on how many make it through.
A research paper published in the Journal of Applied Ecology this month has found that there are some key attributes that make an exotic pet owner more likely to release an unwanted or unmanageable pet into the wild.
In Australia, it's some of the larger-growing snakes like boa constrictors and Burmese pythons that could fit the bill.
At the same time, birds like Indian ringneck parrots are kept legally, despite being known to cause significant damage to agriculture in their native territory.
Feral pests like cane toads, rabbits, camels, cats, wild pigs and foxes cause hundreds of millions of dollars in damage to agriculture each year, and devastate native wildlife.
So what are the chances that someone's legal, or illegal exotic pet is going to become Australia's next super pest?

Burmese pythons: a warning from the US


According to the United States Geological Survey (USGS), wildlife scientists began noticing fewer medium-sized mammals during surveys of the Florida Everglades in 2003.
Populations of raccoons, bobcats, deer and opossums were plummeting and rabbits disappeared completely.
So scientists released a new population of rabbits fitted with tracking devices into the Everglades.
Within a year, 80 per cent of the rabbits were found in the stomachs of Burmese pythons — a large species of constrictor from South-East Asia that can grow up to 7 metres long in captivity.
By the time the US banned the importation of Burmese pythons for the pet trade in 2012, the population of snakes in the Everglades was out of control, and is now estimated to be in the tens, if not hundreds of thousands.
Burmese pythons, along with common snapping turtles, yellow anacondas and venomous puff adders from Africa are the most likely to establish in Australia if they are released in sufficient numbers, according to a 2016 paper by researchers including Associate Professor Phill Cassey, from the University of Adelaide.
"They would be an environmental disaster and they're [already] here in Australia, no doubt about it."

Research shows large-growing snakes released more often

The latest research, from ecologists at Rutgers University in New Jersey, used 18 years of data from the US reptile and amphibian trade.
They found there were several compounding factors that increased the likelihood of pets being released by their owners.
Not surprisingly, pets that were cheap and that were imported in high quantities were more likely to be released.
But pets that grew to a large size at maturity were also more likely to be set loose.
In Australia's black market, several species of exotic snake tick these boxes, including cobras, boa constrictors and Burmese pythons.
While many are intercepted at our border, plenty are getting through, according to Dr Cassey.
Dr Christy said it's the fast-growing snakes that can become too much for their owners, that are potentially problematic.
"We're concerned about the big snakes like the boas and the Burmese pythons in the illegal trade," she said.

What makes a good pest?

To establish as a pest species in Australia, there are a few hurdles to overcome.
Firstly, the animal or plant needs to get here. Second, it needs to be released into the wild in suitable habitat.
And finally the individual either needs to be pregnant, or be able to find a mate, and build up a viable population.
Most potential pests succumb in these early stages. For instance, a boa constrictor found on the Gold Coast in 2015, is likely to have died before it could find another boa constrictor mate.
Releasing a breeding pair of animals is likely to greatly increase the chances that they can establish.
If an animal can build up a viable breeding population, the enemy release hypothesis — where a species is no longer kept in check by its natural predators — kicks into gear, and any chance of stopping their advance fades.
Fecundity — the ability to produce lots of offspring, and the ability to thrive in a range of habitats, are both attributes that increase an animal's chance of being a successful invader.
In the illegal trade, getting to Australia presents an obstacle that restricts most of our illegal imports to reptiles.
Unlike mammals and larger-bodied animals, reptiles can survive long periods without food and water and when cooled down enter a state of torpor, making them easy to transport, according to Dr Michelle Christy from the Centre for Invasive Species Solutions.
"We had an example of a brown tree snake, that went from Guam to Texas and it was alive at the other end after three months."

'Only a matter of time' before serious pest establishes

The Federal Register of Legislation lists exotic animals that can be kept as pets in Australia, including numerous fish and bird species, and mammals like camels, goats, ferrets, alpaca and guinea pigs.
Although it is supposed to exclude animals that would pose a significant risk of establishing in the wild, some experts have called into question certain animals' legal status.
Indian ringneck parrots, also known as rose-ringed parakeets, are one of the most commonly kept exotic bird species in Australia, and are frequently reported to have escaped.
Several local control measures have been needed to put down fledgling wild populations, and the birds were found to pose an extreme threat of establishing in Western Australia by the Department of Agriculture and Food.
Similarly, while the Queensland Government estimates around 150,000 ferrets are legally kept as pets in Australia, the Queensland and Northern Territory Governments have banned them because of the potential for them to establish.
Since their introduction in the 1800s, ferrets, along with weasels and stoats, have decimated ground-dwelling birds like the kakapo parrot in New Zealand.
Recently established pests in Australia include the smooth newt discovered in Melbourne in 2011, the red fire ant in 2001, and the yellow crazy ant in the 1990s.
But the fact that other invasive species like the Burmese python or Indian ringneck haven't established here in recent years is largely down to luck, according to Dr Cassey.
Like the ferret in New Zealand, at least 1,000 mongooses were introduced to Australia in the 1800s and 1900s to try to control rabbits.
A recent paper found that the likely reason they failed to get a foothold here was that they were introduced to arid areas which were unfavourable mongoose habitat.
Had they been released in favourable habitat, no doubt many more native Australian animals would have succumbed to the "fourth worst invasive mammal in the world", according to the Global Invasive Species Database.
No doubt many of the other exotic pets that have escaped or been released have failed to establish for the same reason.
A Burmese python released in Melbourne or Adelaide may have a slim chance at survival.
But if a breeding pair or pregnant female finds its way to one of our significant wetlands like those along the Murray River or Kakadu, by the time we notice our native species disappearing it may be too late.


Wednesday, 29 August 2018

Nick Tsagaris - US Open: Novak Djokovic Overcomes Nausea And The Heat To Reach The Second Round At Flushing Meadows

Novak Djokovic has overcome nausea in New York's hot conditions to advance to the second round of the US Open at Flushing Meadows.

Djokovic — who is seen as one of the favourites for this year's tournament — beat Hungary's Marton Fucsovics 6-3, 3-6, 6-4, 6-0 in punishing temperatures that prompted officials to observe a heat rule for men's singles matches for the first time.

The players took a 10-minute break between the third and fourth sets to help them cope with temperatures climbing above 90 degrees Fahrenheit (32.2 degrees Celsius).

The pair, who were not allowed to speak to their coaches during the break, spent the downtime side-by-side, "naked in the ice baths", Djokovic said in a post-match broadcast interview.

"It was quite a magnificent feeling, I must say," he added.

After claiming the first set, a visibly exhausted Djokovic smashed his racket as Fucsovics led 3-2 in the second.

In between the action, both players draped themselves in ice towels and at one point Djokovic sat shirtless in his seat. He also asked for a sick bucket to be placed near his chair.

The Serb came roaring back in the third set, however, clawing his way from 3-1 down before sweeping Fucsovics in the fourth.

"I had to find a way to dig myself out of the trouble," Djokovic said.

"I think that was a turning point. 4-3 in the third when he was serving, I managed to play a good game."
Novak Djokovic, of Serbia, takes a moment behind baseline against Marton Fucsovics at the US Open.

Djokovic was back at the US Open for the first time since 2016 after claiming his fourth Wimbledon title this year and completing a sweep of Masters series events.

"I was praying that I got to feel better because I wasn't feeling great for most of the first three sets," said sixth seed Djokovic.

"I want to thank the US Open for allowing us to have a 10-minute break after the third set. We both needed it."

Djokovic missed the US Open last year because of an elbow injury and was playing his first match in Flushing Meadows since losing the 2016 final to Stan Wawrinka.

Federer breezes through to second round
Roger Federer returns a shot to Yoshihito Nishioka in the first round of the US Open.
Roger Federer made light of energy-sapping conditions to brush past Japan's Yoshihito Nishioka 6-2, 6-2, 6-4 in his opening match at the US Open.

Federer kept his time on court to a minimum with a masterclass of serve-and-volley tennis, pulling the industrious world number 177 from one side of the court to the other at will.

Federer, the second seed, broke the Japanese lefthander in the opening game of the one-sided encounter and never looked back, rattling through his service games with a minimum of fuss to wrap up the first set in 28 minutes.

The Swiss took 35 minutes to close out the second and, with Nishioka firmly on the ropes, started the third by racing to a 4-0 lead before his Japanese opponent held serve.

Nishioka rallied briefly at the end, denying Federer the chance to serve out the set and battling back to 5-4 with his first break of serve.

But Federer put his beleaguered opponent out of his misery in his next service game, wrapping up the victory in one hour and 52 minutes.

Next up for the Swiss is a second-round clash with unseeded Frenchman Benoit Paire.

In other men's matches, German fourth seed Alexander Zverev swept through his opening round encounter, beating Canada's Peter Polansky 6-2, 6-1, 6-2 in a little over an hour and a half.

Seventh seed Marin Cilic was a beneficiary of a retirement, as Romania's Marius Copil quit in the third set of their match when down 7-5, 6-1, 1-1.

Diego Schwartzman (13th seed) won an all-Argentinian first round match, defeating Federico Delbonis 6-2, 7-6 (8-6), 6-2, while Italy's Fabio Fognini came from a set down to beat American Michael Mmoh 4-6, 6-2, 6-4, 7-6 (7-4).


Monday, 23 July 2018

Nick Tsagaris - ISS Is Passing Over Australia, Here's What You Need To Know To Spot It

Australians sure are a curious bunch when it comes to the International Space Station (ISS).
The International Space Station cutting between Venus and Mars
We're one of the top countries in the world to seek out where and when we'll next see it floating by in the night sky, according to NASA.
This weekend's a great opportunity to get out for a squiz — if you're in or around Brisbane, Sydney, Melbourne or Perth, you're in for a treat.
Want to get in on the fun? It's easy. Here's what you need to know:

ELI5, what is the ISS?

ISS is jointly owned by the United States, Russia, Canada, Europe and Japan.
It's been orbiting the Earth since 1998, and has been slowly expanded over the years.
The best way to describe it is "Earth's space lab", astrophysicist Dr Brad Tucker says.
"If you want to test things in space, if you want to put things in space, you need to build an entire satellite. Or the space station really was this multi-national effort to provide that lab to do experiments," Dr Tucker said.
"Lots of groups mount telescopes or measuring devices around the space station so instead of building all these individual satellites you can put it on the space station.
International Space Station above Earth
"You also have an astronaut there so if something goes wrong they can work on it, send you data, or fix it. So it really is a space lab."
ISS has at least another 10 years of use left in it, and Donald Trump is interested in selling the US stake in it.
There are currently six crew members on board.

How many times a day does ISS orbit the Earth?

Quite a lot.
Every orbit is about 90 minutes, so two orbits every three hours, or 16 per day.
That's a whole lot of sunrises and sunsets for those on board.
It's not like ISS is following any set path either — the station crosses all parts of the Earth because the orbit "wobbles".
"But a lot of those times are during the day time, or it passes just on the horizon, but because it's doing it so often there's actually a number of times the space station passes overhead," Dr Tucker said.
"Usually in a given week or so you can find a time that the space station is passing over in the evening over an area near you."

How will I know when the ISS is flying overhead?

NASA has its own "Spot the Station" website set up where you can check sighting opportunities from nearly 100 locations across Australia up to 10 days in advance.
You can sign up there for text message or email notifications whenever there's going to be a decent chance of spotting the station.
Lights of Egypt as seen from ISS

Generally you should get an alert 12 hours ahead of a scheduled sighting.
There are also some apps for your phone you can set up for similar alerts.
ISS Detector is one, ISS Spotter is another.

How often can I expect to see the ISS?

Some places around the world are luckier than others when it comes to ISS sightings.
Some spots can get only one sighting a month, others can get several a week.
The planets really have to align (space pun intended) if you're going to see the ISS doing its thing in low orbit.
You need the correct:
  • Time: It needs to be dark where you are. It has to be just before sunrise or just after sunset.
  • Location: Just like real estate, it's all about "location, location, location". The station must be 40 degrees or more above the horizon from where you are for it to be visible.
  • Weather: Clear skies are best obviously, cloudy conditions can ruin your chances of a sighting.
Tick all three boxes, and you're in with a shot!

The ISS is due to fly over my area. What am I looking for?

A very bright light moving across the sky — somewhere between an aeroplane and a shooting star.
"The space station is the brightest moving object in the sky, and it will move quickly across the sky," Dr Tucker said.
"It moves faster than an aeroplane, but the lights don't blink, but it's like a shooting star where it's just this bright light that moves.
"It can last from 20 seconds up to a few minutes depending on where it's orbiting."
No need for a telescope either — you can spot the ISS with the naked eye.
Basically it'll look a little something like it does in this video:

I've just got an alert about an upcoming sighting of the ISS. How do I decipher the information?

If you sign up to one of those apps mentioned above, you may get a notification like this:
SpotTheStation! Time: Wed Apr 25 7:45 PM, Visible: 4 min, Max Height: 66 degrees, Appears: WSW, Disappears NE.
To break it down for you:
Time: When the sighting opportunity will begin in your local time zone. All sightings will occur within a few hours before or after sunrise or sunset. This is the optimum viewing period as the sun reflects off the space station and contrasts against the darker sky.
Visible: The maximum time period the space station is visible before crossing back below the horizon.
Max Height: It represents the height of the space station from the horizon in the night sky. The horizon is at zero degrees, and directly overhead is ninety degrees. If you hold your fist at arm's length and place your fist resting on the horizon, the top will be about 10 degrees. It's measured in degrees (also known as elevation).
Appears: The location in the sky where the station will be visible first. This value, like maximum height, also is measured in degrees from the horizon. The letters represent compass directions.
Disappears: Represents where in the night sky the ISS will leave your field of view.
So for the instance above, the ISS will be visible at 7:45pm for four minutes. It will appear 66 degrees above the horizon from west south-west of your position, and disappear in the north-east.

Is there anything else I can spot orbiting the Earth?

Yes, other satellites!
"I would say on any given clear night if you're looking at the sky you'll see one satellite every 30 minutes to hour," Dr Tucker said.
One thing to keep an eye out for are iridium communication satellites and their iridium flares.
"The panels are really reflective, so there won't be a bright streak like the ISS but there will be a bright flash," Dr Tucker said.
"So sometimes if you see a bright flash it's actually what we call an iridium flare, and if the angles are right you get a bright reflection off these communication satellites."
Here's what it looks like:

Tuesday, 26 June 2018

Nick Tsagaris - ISS Is Passing Over Australia, Here's What You Need To Know To Spot It

Australians sure are a curious bunch when it comes to the International Space Station (ISS).
We're one of the top countries in the world to seek out where and when we'll next see it floating by in the night sky, according to NASA.
This weekend's a great opportunity to get out for a squiz — if you're in or around Brisbane, Sydney, Melbourne or Perth, you're in for a treat.
Want to get in on the fun? It's easy. Here's what you need to know:

ELI5, what is the ISS?

ISS is jointly owned by the United States, Russia, Canada, Europe and Japan.
It's been orbiting the Earth since 1998, and has been slowly expanded over the years.
The best way to describe it is "Earth's space lab", astrophysicist Dr Brad Tucker says.
"If you want to test things in space, if you want to put things in space, you need to build an entire satellite. Or the space station really was this multi-national effort to provide that lab to do experiments," Dr Tucker said.

"Lots of groups mount telescopes or measuring devices around the space station so instead of building all these individual satellites you can put it on the space station.
Nick Tsagaris - International Space Station above Earth
"You also have an astronaut there so if something goes wrong they can work on it, send you data, or fix it. So it really is a space lab."
ISS has at least another 10 years of use left in it, and Donald Trump is interested in selling the US stake in it.
There are currently six crew members on board.

How many times a day does ISS orbit the Earth?

Quite a lot.
Every orbit is about 90 minutes, so two orbits every three hours, or 16 per day.
That's a whole lot of sunrises and sunsets for those on board.
It's not like ISS is following any set path either — the station crosses all parts of the Earth because the orbit "wobbles".
"But a lot of those times are during the day time, or it passes just on the horizon, but because it's doing it so often there's actually a number of times the space station passes overhead," Dr Tucker said.
"Usually in a given week or so you can find a time that the space station is passing over in the evening over an area near you."

How will I know when the ISS is flying overhead?

NASA has its own "Spot the Station" website set up where you can check sighting opportunities from nearly 100 locations across Australia up to 10 days in advance.
You can sign up there for text message or email notifications whenever there's going to be a decent chance of spotting the station.
Nick Tsagaris - Lights of Egypt as seen from ISS
Generally you should get an alert 12 hours ahead of a scheduled sighting.
There are also some apps for your phone you can set up for similar alerts.
ISS Detector is one, ISS Spotter is another.

How often can I expect to see the ISS?

Some places around the world are luckier than others when it comes to ISS sightings.
Some spots can get only one sighting a month, others can get several a week.
The planets really have to align (space pun intended) if you're going to see the ISS doing its thing in low orbit.
You need the correct:
  • Time: It needs to be dark where you are. It has to be just before sunrise or just after sunset.
  • Location: Just like real estate, it's all about "location, location, location". The station must be 40 degrees or more above the horizon from where you are for it to be visible.
  • Weather: Clear skies are best obviously, cloudy conditions can ruin your chances of a sighting.
Tick all three boxes, and you're in with a shot!
Nick TSagaris - A composite image shows the International Space Station passing in front, as the Moon eclipses one side of the Sun.

The ISS is due to fly over my area. What am I looking for?

A very bright light moving across the sky — somewhere between an aeroplane and a shooting star.
"The space station is the brightest moving object in the sky, and it will move quickly across the sky," Dr Tucker said.
"It moves faster than an aeroplane, but the lights don't blink, but it's like a shooting star where it's just this bright light that moves.
"It can last from 20 seconds up to a few minutes depending on where it's orbiting."
No need for a telescope either — you can spot the ISS with the naked eye.
Basically it'll look a little something like it does in this video:

I've just got an alert about an upcoming sighting of the ISS. How do I decipher the information?

If you sign up to one of those apps mentioned above, you may get a notification like this:
SpotTheStation! Time: Wed Apr 25 7:45 PM, Visible: 4 min, Max Height: 66 degrees, Appears: WSW, Disappears NE.
To break it down for you:
Time: When the sighting opportunity will begin in your local time zone. All sightings will occur within a few hours before or after sunrise or sunset. This is the optimum viewing period as the sun reflects off the space station and contrasts against the darker sky.
Visible: The maximum time period the space station is visible before crossing back below the horizon.
Max Height: It represents the height of the space station from the horizon in the night sky. The horizon is at zero degrees, and directly overhead is ninety degrees. If you hold your fist at arm's length and place your fist resting on the horizon, the top will be about 10 degrees. It's measured in degrees (also known as elevation).
Appears: The location in the sky where the station will be visible first. This value, like maximum height, also is measured in degrees from the horizon. The letters represent compass directions.
Disappears: Represents where in the night sky the ISS will leave your field of view.
So for the instance above, the ISS will be visible at 7:45pm for four minutes. It will appear 66 degrees above the horizon from west south-west of your position, and disappear in the north-east.

Is there anything else I can spot orbiting the Earth?

Yes, other satellites!
"I would say on any given clear night if you're looking at the sky you'll see one satellite every 30 minutes to hour," Dr Tucker said.
One thing to keep an eye out for are iridium communication satellites and their iridium flares.
"The panels are really reflective, so there won't be a bright streak like the ISS but there will be a bright flash," Dr Tucker said.
"So sometimes if you see a bright flash it's actually what we call an iridium flare, and if the angles are right you get a bright reflection off these communication satellites."
Here's what it looks like:



Friday, 22 June 2018

Nick Tsagaris - Meet Three Trans And Non-Binary Artists Who Are Reimagining The Way We Tell Stories

If you look at lives as if they are stories, there's one plot line that seems to dominate: birth, puberty, work, marriage, child-rearing — and finally, death.
But if you're queer or gender non-conforming, many of these plot points can be inaccessible, irrelevant or otherwise fraught.
In this context, some artists are creating works that trouble the line and the form, and in turn making their own plot points.
For Bailee-Rose Farnham, a classically trained dancer and trans woman, choreography has been a way to reconnect with the artform she loves.
"I feel like society tells you that you have to live a certain way, dress a certain way, act a certain way. I was in an environment [at a major dance company] where that was all people really did, and it was soul-crushing," says Farnham.
For non-binary theatre-maker Bobuq Sayed, "linearity [in narrative] has never been really something that appealed. I think there's a lot of really boring theatre out there. [You have to ask]: What is the theatre offering us that no other space can even hope to replicate?"
Trans and non-binary writer and poet Quinn Eades' hybrid works also resist linearity. Eades explains that while the prefix "trans" means "going across", his writings "trouble the idea that trans narratives are very simple and follow a fairly linear model of moving across from one [gender] to the other".

'Femininity is different for every single person'

There was a time when Farnham felt completely alienated from one of the things she most loved.
"It was quite confronting when I first transitioned," she says.
"I grew up in ballet being told I had to be really strong, and all of a sudden I was told I had to be more soft, that I had to have this essence of femininity — that I feel like I wasn't able to achieve because of the way I looked and the body type that I have."
She spent two years in a major dance company, and developed an eating disorder while attempting to meet their ideal of femininity.
As a woman of colour, Farnham also "felt very exoticised", she says. "I felt like my technique and my performance was only valid if I was being sexy or sprawled out across the floor; if I was exuding this hyper-sexual female."
A portrait of a woman.
Through choreographing her own work, which dismantles traditional ideas of femininity, Farnham has learnt to embrace her artform and her body.
"I try to swap the gender roles of the dancers around, in my pas de deux or pas de trois [ballets of two or three dancers] — where the male usually would be lifting the female, I would have the women doing the lift … or the man doing pirouettes."
A woman choreographs a group of dancers.
The choreographer has also cast her ballets with two women or two men, rather than the usual opposite-sex couple.
"This changes the tone and changes the storyline, because I'm trying to have as much queerness [as possible] in my art," Farnham says.
She describes the results as "liberating".
"If I want to exude a hyper-sexualised feminine energy, I can do it in my own way. I don't have to conform to [another choreographer's] idea of what femininity is, because femininity is different for every single woman, every single person."
"I'm not afraid to look a certain way anymore."
Recently, Farnham choreographed a work for ABC Arts iview series Art Bites: Unboxed. "It was about my experiences in different relationships, with beauty standards, and as a gay person," says Farnham. Her next piece will explore her transition.
"I hope to draw out these experiences in the hope that it will help others."

What could trans dramaturgy be?

Bobuq Sayed is a non-binary writer, performer and multidisciplinary artist, and a member of the Afghan diaspora. Sayed doesn't identify as a man or a woman, and uses the pronoun "they".
Sayed is also a member of trans and non-binary theatre group Embittered Swish.
"We are dedicated to progressing trans representation, beyond a very introductory 'Trans 101' perspective," Sayed explains. "That perspective often panders to cisgendered audiences [people whose gender identity is in line with their sex assigned at birth], which is not who we are making art for."
An Embittered Swish performance doesn't unfold like a conventional piece of theatre. There is no easily discernible sense of a beginning, middle, or end. There are, however, narrative moments, punctuated by music and movement in unexpected ways.
"Trying to specifically name what trans dramaturgy is, is difficult," says Sayed, "but it is the outcome of what happens when trans artists and theatre-makers come together to make art about their experiences."
A group of performers in outlandish outfits, on stage
"I think often, as trans artists, the kind of art we make is confined to art about our transition and about our gender dysphoria, which is prescribed from outside our community," Sayed says.
"With [Embittered Swish], we're trying to make art that hopes to dismantle or interrupt how trans representation is typically done."
In Estrogenesis, which premiered at Melbourne's Next Wave Festival in May, the group took aim at ideas of transition, resolution and power, by examining the medicalisation of the trans experience.
This work is part of a larger vision to "contest narratives of representation, specifically this idea of transition or resolution … [or] of linearity, of moving from A to B [from one gender to another]".
"The reality of transitioning is that it doesn't look the same for anyone and there is no right or wrong way to do it," says Sayed. "It does take a lot of work and it has a psychological, emotional and financial cost on bodies, communities and subjectivities."

Hybrid, fragmentary writing

Quinn Eades is a writer, poet and researcher. "My gender identity is that I'm a trans-masc [masculine] person, my pronouns are 'he, him and his'. But it's a very layered pronoun for me; it also holds the 'she' that I was," Eades says.
"I'm pretty non-binary and so 'they/them' is in there as well," he adds.
A man with tattoos on his arms.
Eades works in a kind of hybrid writing style. For example, All the Beginnings: A Queer Autobiography of the Body was "a mixture of philosophy, critical theory, poetry and autobiography".
"I pull out quotes from whatever I'm reading and then I use them to jump in and out of the writing. I think of myself as having conversations with other writers, theorists and sources, rather than doing analytical work," he says.
Two pages of a book which moves between prose and quotes and analysis.
"There are definitely echoes and resonances for me, between living a transqueer life and also exploring those marginalities in writing, through refusing to stick to a recognisable genre and really playing with form, as well as content."
Eades is currently working on a new book, titled Transpositions. "It's a memoir from the body in transition," he says.
He says that he's working in "fragments" of memoir, alongside a column of fairy story.
"I think what we see in popular culture is a really stable narrative around trans bodies," he says.
That stable narrative sees people transitioning from one gender to another, through "a series of hormone treatments, medical procedures and social transitional processes — for example, changing your name".
"By using fragments and fairy story, I'm saying that for me and I think for most trans people, it's a lot more complex than that. There is no one trans narrative that we can follow."

Thursday, 21 June 2018

Nick Tsagaris - Dark Mofo: Hobart Lord Mayor Wants To Turn Down The Lights On Shock Festival

Hobart's Lord Mayor has declared he wants to "put the brakes" on Dark Mofo, saying the annual winter festival run by MONA is pushing the boundaries of good taste.
Ron Christie lashed out at what he described as the "shock festival" and suggested the Council may consider withdrawing its annual funding of $200,000 in cash and in-kind support.
Dark Mofo is now in its sixth year, and brings an estimated $50 million annually to the city.
Alderman Christie said he and his colleagues had been inundated with complaints about the festival, including the "unhealthy culture" it was generating.
"They say the mark of a good city is how well you look after your citizens, and I think the citizens have expressed their concerns about different aspects of Dark Mofo and which way it's going culturally," he said.
"Hobart is a community city, and it's Hobart, not Mobart."
Performance artist Mike Parr in his steel chamber 

Alderman Christie said what began as a family event had been tarnished by controversies.
Last year animal liberation groups were outraged over a performance involving a bull carcass, and the appearance of giant inverted crosses around the city for this year's event has caused offence among Christians.
Alderman Christie was also less than impressed with performance artist Mike Parr's three-day burialbeneath Macquarie Street.
"I'm not shocked anymore. It's not my cup of tea," he said.

Funding deal

The council's three-year funding deal for Dark Mofo is up for renegotiation this year, and Alderman Christie wants to sit down with the festival's creative director Leigh Carmichael to talk about its future.
"I think it's time now to put the brakes on. We're going too fast," he said.
"I'm sure Mr Carmichael and [MONA founder David] Walsh would welcome conversations with any city that has a chequebook — maybe they should talk to Launceston."
Mr Carmichael said it was up to the council to decide which events it supports.
"We've had a longstanding relationship since Dark Mofo started in 2013 with the council, it's a relationship that we value," Mr Carmichael said.
"It's been very important to us and it's a significant sponsorship so we will just have to deal with that if it came to pass," he said.
He said there were no plans to move the festival, even if council support dried up.
"I think Dark Mofo belongs in Hobart, it's a Hobart-based event," he said.
"It would put pressure on us in certain areas, certainly in relation to the Winter Feast, but we'd look at it at the time."
An bright red inverted cross mounted on a pole at night in Hobart
Mr Carmichael was particularly disappointed with the community's reaction to the inverted crosses.
"There's a lot more going on with those than shock, that's not what we're doing it for," he said.
"We're raising issues around symbolism and religion and these are things that I want discussed and we want discussed as a festival."